| Course Name | Make-up in Fashion Design |
| Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
|---|---|---|---|---|---|
| FD 420 | Fall/Spring | 2 | 2 | 3 | 4 |
| Prerequisites | None | |||||
| Course Language | English | |||||
| Course Type | Elective | |||||
| Course Level | First Cycle | |||||
| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | ||||||
| Course Coordinator | - | |||||
| Course Lecturer(s) | - | |||||
| Assistant(s) | - | |||||
| Course Objectives | To create proper characters for shows and shots of concepts and trends, in which fashion sector is found. To make one gain identity via stage make up. To make designs on 3d face, by using various make up materials. |
| Learning Outcomes | The students who succeeded in this course;
|
| Course Description | Within scope of this course, basic makeup styles and various makup materials’ carriage on human body are shown. These face and body compositions are modelled, by the help of different artistic medias to create characters.New presentation types are aimed, by creating new images via body. |
| Related Sustainable Development Goals | |
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| Core Courses | |
| Major Area Courses | ||
| Supportive Courses | X | |
| Media and Managment Skills Courses | ||
| Transferable Skill Courses |
| Week | Subjects | Required Materials |
| 1 | Basic Face drawing | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 2 | Basic Makeup materials | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 3 | Image and material Relation | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 4 | Designing Animal Expression on face | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 5 | Designing Fantastic Expression on face | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 6 | Designing Fantastic Expression on face with volume – color – Texture | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 7 | Human Bodylife Model line VolumeTexture Textile Metal Relation | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 8 | Designing face, by aspiring from artists’ paints. tasarlamak | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 9 | Designing injured and burnt face expression | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 10 | Light – makeup relation | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 11 | Designing double character on face | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 12 | Imaginary Makeup | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 13 | Imaginary Makeup | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 14 | Imaginary Makeup | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 15 | File Presentation | Betti, C., “Drawing: a contemporary approach”, Harcourt Brace College Publishers, (1996)Robins, C. “The Art of Figure Drawing the Complete Guide to Classic Drawing Techniques”, North Light Books, (2003)Tatham, C., “Fashion design drawing course: principles, practice, and techniques: the ultimate guide for the aspiring fashion artist”, Thames & Hudson Ltd, (2003)Young, C., “Drawing drapery from head to toe”, Dover Publications, (2007) |
| 16 | Review of the semester |
| Course Notes/Textbooks | Above mentioned books |
| Suggested Readings/Materials |
| Semester Activities | Number | Weigthing |
| Participation | ||
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | ||
| Presentation / Jury | ||
| Project | ||
| Seminar / Workshop | ||
| Oral Exam | ||
| Midterm | 2 | 60 |
| Final Exam | 1 | 40 |
| Total |
| Weighting of Semester Activities on the Final Grade | 60 | |
| Weighting of End-of-Semester Activities on the Final Grade | 40 | |
| Total |
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Course Hours (Including exam week: 16 x total hours) | 16 | 4 | 64 |
| Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
| Study Hours Out of Class | 10 | 2 | 20 |
| Field Work | |||
| Quizzes / Studio Critiques | |||
| Portfolio | |||
| Homework / Assignments | |||
| Presentation / Jury | |||
| Project | |||
| Seminar / Workshop | |||
| Oral Exam | |||
| Midterms | 2 | 8 | |
| Final Exams | 1 | 10 | |
| Total | 110 |
| # | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
| 1 | To be able to develop and design a collection independently. | X | ||||
| 2 | To be able to do maintain a design research individually or as a team. | X | ||||
| 3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. | X | ||||
| 4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. | X | ||||
| 5 | To be able to analyze and integrate the particular local and regional needs and of their profession. | X | ||||
| 6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
| 7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | |||||
| 8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. | |||||
| 9 | To be able to develop an ongoing analytical and professional approach to academic and design research. | X | ||||
| 10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | X | ||||
| 11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | X | ||||
| 12 | To be able to speak a second foreign at a medium level of fluency efficiently. | |||||
| 13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. | X | ||||
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
